The Illustrated Wilde

‍Ariadne In Naxos; or Very Like a Wail appeared in the February 4th, 1882 issue of Punch, or the London Charivari, a British weekly magazine of humor and satire. 

‍

‍The cartoon was the centerpiece of a fake interview with Wilde, the purpose of which was to ridicule the Aesthetic Movement that Wilde was going to America to espouse. The image depicts the Greek goddess Ariadne who represents the grief of Aestheticism as she watches Wilde depart aboard the ship Arizona.

‍

‍The theme is taken from a version of the Ariadne myth in which Dionysus appears to Theseus saying that he had chosen Ariadne as his wife, and demands that Theseus leave her on the Greek island of Naxos for him.

‍

‍As the caption attests, the treatment of the composition is in homage to W.B. Richmond's "Electra at the Tomb of Agamemnon " (1874), a painting that Wilde had described in detail in his review [1] of its showing at The Grosvenor Gallery in London.

‍

‍VERY LIKE A WAIL

‍

‍The cartoon is alternatively entitled Very Like A Wail. The closest source [2] for this phrase is a poem of the same name from The Knightly Heart, and other poems, a book of light verse by James Freeman Colman (1873). Colman's poem similarly concerns the lovelorn condition, in his case a youth faced with the fickleness of the opposite sex; the captioned lines are typical and also have a nautical theme.

‍

‍Related:

‍The Grosvenor Gallery, 1877 by Oscar Wilde

‍The Knightly Heart, and other poems

‍Oscar The Apostle

‍

‍Original research © John Cooper

‍Excerpt: Very Like A Wail,

‍James Freeman Colman (1873)